Montese Crandall is a downtrodden writer whose rare collection of baseball cards won't sustain him, financially or emotionally, through the grave illness of his wife. Luckily, he swindles himself a job churning out a novelization of the 2025 remake of a 1963 horror classic, "The Crawling Hand." Crandall tells therein of the United States, in a bid to regain global eminence, launching at last its doomed manned mission to the desolation of Mars. Three space pods with nine Americans on board travel three months, expecting to spend three years as the planet's first colonists. When a secret mission to retrieve a flesh-eating bacterium for use in bio-warfare is uncovered, mayhem ensues. Only a lonely human arm (missing its middle finger) returns to earth, crash-landing in the vast Sonoran Desert of Arizona. The arm may hold the secret to reanimation or it may simply be an infectious killing machine. In the ensuing days, it crawls through the heartbroken wasteland of a civilization at its breaking point, economically and culturally--a dystopia of lowlife, emigration from America, and laughable lifestyle alternatives. The Four Fingers of Death is a stunningly inventive, sometimes hilarious, monumental novel. It will delight admirers of comic masterpieces like Slaughterhouse-Five, The Crying of Lot 49, and Catch-22. 1. Language: English. Narrator: Chris Patton. Audio sample: http://samples.audible.de/bk/adbl/002631/bk_adbl_002631_sample.mp3. Digital audiobook in aax.
All new narration adds sound effects and eliminates issues noted in reviews. To obtain new version, remove old one from device, download new copy at no charge. We colonized seven hundred planets. Humankind enjoyed the benefits of expansion and the end of wars. We disbanded our military. Then the Krall found us. The Krall have used thousands of years of combat to select the genes of the strongest and fastest warriors. They are a species determined to dominate the galaxy, through annihilation or enslavement of every opponent. Koban is an uninhabited high gravity planet with impossibly fast savage animals, which employ organic superconducting nerves. This deadly world is where the Krall are testing humans for fighting capability. We are useful only if we can fight well. If not, they will destroy us swiftly, as they have other species. They have slaves, and we’re poor tasting meat animals, so we fight or die. The Krall will use us, if worthy, seeking physical perfection through attrition of war, one planet at a time. Growing weary of our failures in testing, the ruthless Krall are on the verge of a decision to eliminate our species. A ship carrying bio-scientists is captured for combat testing. The choice for Captain Mirikami and the scientists is simple: Prove we can produce better, smarter fighters quickly, or humanity is doomed to rapid extermination. But the Krall are only half the problem. We must survive Koban's gravity and superfast animals. The tiger-like rippers with skin contact telepathy are predators too fast and powerful for the Krall to face. Our solution is genetic: If you can't beat them as you are, become human rippers. The Krall will learn another species can bypass natural selection. 1. Language: English. Narrator: Patrick Freeman. Audio sample: http://samples.audible.de/bk/acx0/014355/bk_acx0_014355_sample.mp3. Digital audiobook in aax.
NEW YORK TIMES BESTSELLER "[A] delectable double bio . . . Talk about Victoria's secret. . . . A fascinating portrait of a genuine love match, but one in which the partners dealt with surprisingly modern issues." -USA Today It was the most influential marriage of the nineteenth century-and one of history' s most enduring love stories. Traditional biographies tell us that Queen Victoria inherited the throne as a naïve teenager, when the British Empire was at the height of its power, and seemed doomed to find failure as a monarch and misery as a woman until she married her German cousin Albert and accepted him as her lord and master. Now renowned chronicler Gillian Gill turns this familiar story on its head, revealing a strong, feisty queen and a brilliant, fragile prince working together to build a family based on support, trust, and fidelity, qualities neither had seen much of as children. The love affair that emerges is far more captivating, complex, and relevant than that depicted in any previous account. The epic relationship began poorly. The cousins first met as teenagers for a few brief, awkward, chaperoned weeks in 1836. At seventeen, charming rather than beautiful, Victoria already "showed signs of wanting her own way." Albert, the boy who had been groomed for her since birth, was chubby, self-absorbed, and showed no interest in girls, let alone this princess. So when they met again in 1839 as queen and presumed prince-consort-to-be, neither had particularly high hopes. But the queen was delighted to discover a grown man, refined, accomplished, and whiskered. "Albert is beautiful!" Victoria wrote, and she proposed just three days later. As Gill reveals, Victoria and Albert entered their marriage longing for intimate companionship, yet each was determined to be the ruler. This dynamic would continue through the years-each spouse, headstrong and impassioned, eager to lead the marriage on his or her own terms. For two decades, Victoria and Albert engaged in a very public contest for dominance. Against all odds, the marriage succeeded, but it was always a work in progress. And in the end, it was Albert's early death that set the Queen free to create the myth of her marriage as a peaceful idyll and her husband as Galahad, pure and perfect. As Gill shows, the marriage of Victoria and Albert was great not because it was perfect but because it was passionate and complicated. Wonderfully nuanced, surprising, often acerbic-and informed by revealing excerpts from the pair's journals and letters-We Two is a revolutionary portrait of a queen and her prince, a fascinating modern perspective on a couple who have become a legend.